Dan Deacon Has a New Video… and It’s Awesome!

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Last month, electronic composer Dan Deacon released his new album, Gliss Riffer. If you’re not already listening to this guy, you should be. His genre-blending music is as eccentric as it is passionate. His sound is experimental, glitchy and totally unique.

Oh hey, Adult Swim has a show that fits that last description! Airing at the graveyard slot of 4am is Dave Hughes’ hidden gem, Off the Air. Each episode sees Hughes editing music videos, animations, stock footage and other internet oddities into and 11-minute something-or-other revolved around the episode’s theme. Think of it like Liquid Television, but with even less context.

My excuse for cramming these two disjointed paragraphs into a single article is the latest collaboration between the two artists: a music video for Deacon’s new single “When I Was Done Dying”. It’s a 5-minute spectacle featuring the work of 9 immensely talented animators (most of whom have been featured on past Off the Air episodes), pieced together by Hughes into a single, cohesive, symbolic journey molded to Deacon’s euphonious tones and metaphysical lyrics. From the trippy CGI of Taras Hrabowsky to the fluid motion of one of my personal favorites, Masanobu Hiraoka, this thing is absolutely packed with inspired visuals. Check it out if you’re a fan of abstract animations, or if you just want to see collaboration at it’s finest.

As a little something extra, I’ll let you know that this isn’t the first time Deacon and Hughes have teamed up. Back in 2013, coinciding with Deacon’s appearance on the Adult Swim Singles Program, a special episode of Off the Air was set to Deacon’s 20-minute (!) feature, “U.S.A.”. I’d definitely say to check it out, just be aware that there’s a little bit of simulated, NSFW nudity towards the middle.

If you enjoyed these videos and want to see more, Adult Swim has an ongoing online live-stream running all of the Off the Air episodes in a loop. You can also find the music of Dan Deacon on iTunes.

Something to Listen to: New Tracks From Passion Pit

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Ever since being featured in the soundtrack for the 2011 video game LittleBigPlanet 2, indietronica band Passion Pit has received a huge amount of attention. Their new album, Kindred, has just been made available for pre-order and, with it, two tracks have been made available this weekend for purchase. Take a look at the official videos below.

Going in reverse-chronological order, “Where The Sky Hangs” is a bright-sounding tune perfect for starting off your day.

Now that you’re up and around, the track “Lifted Up” can get you moving.

Like what you heard? For more info about the album and where to pre-order it, you can visit Passion Pit’s official website.

Something to Listen to: “Dynamo”

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One piece of the independent music landscape I haven’t gotten to talk about yet is Moodgadget Records. An affiliate of indie label Ghostly International, Moodgadget focuses on exploring the diversity of electronic music, showcasing established favorites as much as they do the up-and-comers.

They’ve also just reached their 10th anniversary.

In celebration of this milestone, Moodgadget has just launched their 100th release, Dynamo. A compilation album collecting a whopping 22 tracks from many of the fresh faces in Moodgadget’s stable, including some new exclusives. The best part? They’ve made it available to stream right now on SoundCloud!

So that’s cool and all, but what is you want to take this album on the go? Well, they’ve also made it available for purchase from iTunes for the low, low price of $6.99! Let me reiterate: $6.99 for 22 tracks! That’s a really good, really rare deal. I wouldn’t pass this up if I were you.

You can find more about Moodgadget Records by visiting their official site.

Something to Listen to: “Ghostly Swim 2”

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In case you missed it, comedy network Adult Swim and indie record label Ghostly International have just teamed up yet again to release their second free compilation album, Ghostly Swim 2. You may remember that I talked about the 2009 original a couple of weeks ago. So you know that I’ve been anticipating the release of this one.

Ghostly has a tendency to segment their releases into two categories. Avant-Pop acts as a fusion of electronic methodologies with pop sensibilities, while SMM, a meaningless acronym, represents the more experimental and ambient music. If the first Ghostly Swim was an avant-pop album, Ghostly Swim 2 focuses more on SMM.

I’d spend more time telling you why you should buy it, but you can download it right now for free at the official site! Instead, I’m going to do a track-by-track breakdown and briefly tell you what I think. Feel free to listen along.

Pascäal – “Holo”

True to it’s name (well, the sound of the name, anyway), “Holo” sounds as though it could have been recorded in a large, hollow cave. The electronic noises bouncing of every wall. There’s not much to day about this one other than that it’s atmospheric and puts me right in the mood for an ambient, relaxing album.

Shigeto – “Tide Pools”

Ghostly mainstay Shigeto drops a new track in the form of “Tide Pools”. It’s a haunting combination of synthetic pianos and digital wind chimes set on top of a soothing beat. This one’s sure to invoke feelings of pleasant peacefulness with just a hint of melancholy.

Anenon – “The Grapevine”

Anenon takes his turn to introduce my favorite track of the album. The buzzing of electronic voices work together to sing a melancholic song backed by an energetic set of drums. This track utilizes a nontraditional sound to form an emotional piece. It may sound weird, but I love weird.

Heathered Pearls – “Supra”

Heathered Pearls’ “Supra” focuses on a synth piano among a series of other ambient noises. It’s quiet, but hypnotizing. Another fine addition to our 45 minutes of auditory relaxation.

Babe Rainbow – “Don’t Tell Me I’m Wrong”

Having apparently just made the jump from Warp Records, Babe Rainbow provides Ghostly with “Don’t Tell Me I’m Wrong”. The track consist of a booming drum, a cheerful tune and a haunting set of vocals wailing in the distance. Another quiet, atmospheric track to populate one’s night.

Dauwd – “Kolido”

Dauwd’s entry, “Kolido”, rests continues the practice of electronic elements and far-away vocals resting on top of a subtle beat. About 2 minutes into this one, the beat starts to take on a catchier rhythm fit for a dance floor.

Patricia – “Spotting”

Patricia starts the second half of this album with a quiet synth piano and a thumping bass, as the other elements of the track are introduced one by one. Distorted clapping and complimentary electronic rhythms start to fill the room and the beat starts to progress and shift. By the end, though quiet intimacy is maintained throughout, the tracks has become one catchy ride for the listener.

Lord RAJA – “Spilt Out In Cursive”

The most ambient track on the record so far, Lord RAJA’s “Spilt Out In Cursive” relies almost entirely on subtle tunes and creepy background noises before fading out. Calming or unnerving? I’ll let you decide.

CFCF – “Oil”

CFCF’s “Oil” starts out on a pleasant couple of xylophones, before the electronic elements and bass start to fill the background with life. This progress until the xylophones are replaced by a faded piano sending things into a calm atmosphere. A peaceful ride, through and through.

Feral – “Mirror”

Following a trail of far off sounds, “Mirror” paints a picture I’d like to call digital popcorn. Computer noises and popping sounds play backdrop to a gentle tune and a series of synthetic drums.

Mary Lattimore & Jeff Zeigler – “I Only Have Eyes For You”

“I Only Have Eyes For You” spends it first time on some magnificent chiming among the sounds of soaring skies. Different elements get tossed in and out until settling down to a gentle conclusion. Uneventful, but nonetheless heavenly.

AceMo- “Futurism”

“Futurism” is probably the most melancholic track on the record. Haunting synths set the tone before the drums and vocals continue the song down the downbeat slope.

Nautiluss – “Lonely Planet”

Nautiluss comes in to close out this record with a decidedly up-tempo track. “Lonely Planet”‘s beat moves at a steady pace while the synths decorates it’s path. A nice finish to one soothing journey.

So there we go. 13 new tracks from some of Ghostly’s finest. If you want to hear it, head over the Adult Swim’s site and get downloading.

You can download Ghostly Swim 2, here.

Something to Listen To: “Worlds” Review

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When you’re a fan of a particular genre of music, you’ll sometimes find yourself bored of what you’ve been listening to as of late. And then, just as you’re about to start listening to something else, you come across an album that hits your musical tastes just right, and rekindles your fascination for that genre and where it’s heading. For me, that genre is electronic music (an umbrella term, mind you), and that album is Worlds, the debut album from producer Porter Robinson.

Taking it’s inspiration from both the dance and synthpop sub-genres, Worlds provides a wonderful tour through the bold, other-worldy atmosphere, heavy on the bass and skinned with synths. I’d describe it as an emotional dance album. The amount of heart put into this shows in both the music and it’s vocals.

A few of my favorites:

  • “Sad Machine”-  Far and away my favorite track from the album. “Sad Machine” is a moving duet between Robinson and a computerized singer, portraying the loneliness of an artificial intelligence. All laid against a memorable beat that fills me with joy, while the lyrics break my heart. The thought that this is what computers truly feel makes me want to hug my laptop and tell it that everything is going to be okay… I probably shouldn’t be saying things like this on the internet.
  • “Natural Light”- Anytime an album chooses to change tone and pace will obviously gain anyone’s attention. In this case, “Natural Light” provides one of the album’s most soothing moments, bring to mind a moment sitting outside in the middle of the night taking in the sights and sounds around you. Well, that’s my take, anyway.
  • “Fellow Feeling”- A track with some variety. “Fellow Feeling” starts of with a brilliant combination of synths and violins, only to break into a trip to the intense, glitchy landscape in the albums only real foray into dubstep territory. At the end both are combined for a finale worthy of the dance floor.

Grand, passionate and inspiring, Worlds reminds me why I fell in love with the various forms of electronic music to begin with, and makes me interested to see where Porter Robinson goes from here.